In the realm of spectacle, fashion and image reign. Agents of illusion and artifice, they play a role within the system and game of hierarchy. With Italian filmmaker and provocateur Frederico Fellini’s unbridled theatricality, the Catholic Church comes under such consideration and mockery.
Many women have begun to dip into the blog world, penning their own ideas about fashion, beauty and the fashion industry. However, there exists another group of women, who like Stovall are short and curvy and fierce and black, that are taking a grass roots approach to disseminating ideas about the fashion industry.
This month sees the second instalment of former French Vogue editor Carine Roitfeld’s new biannual publication, CR Fashion Book. But what exactly is a ‘fashion book’? It’s a slightly heavy-handed concept, but one designed, it seems, to disassociate Roitfeld’s venture from the mere realm of the mass-produced, market-dictated, fashion magazine, exemplified by ex-employer Condé Nast’s multi-national, industry-defining platform.
The power of fashion as a purveyor of possible selves has long been documented and discussed in fashion literature from a plethora of vantage points. Yet with the fashion weeks in full steam around us, I couldn’t help but contemplate this phenomenon; fashion savants in all their glory vying for uniqueness whilst simultaneously maintaining a firm identity as ‘one of the gang’.