Cohen favours indiscreet European luxury: Hermès ‘H’ belts, Italian tailoring, open-necked shirts. He wears clothes like sportscars wear their badges. In court he appears in suits, but prefers soft jackets with loud patterns, worn with loafers and jeans. In corporate law and finance, clothes are expected to reassure clients; you should present a successful business, but not flaunt your bonus. In Cohen’s line of work, lawyers talk, and dress, more like prize fighters.
Yohji Yamamoto’s autobiography, ‘My Dear Bomb’ (2010) creates a complex conceptual persona of a designer, that of the ‘insider/outsider.’ A composite autobiography; the text of ‘My Dear Bomb’ is a collection of multiple voices, writing styles and visuals. The designer’s own poetic writing dominates the text of the book, but is punctuated with other ephemera: recorded conversations with writer Ai Matsuda, lyrics to songs by Yamamoto, as well as short contributions and letters from friends and critics.