You Just Want To Call The Person ‘Sir’

You Just Want To Call The Person ‘Sir’

A conversation with the family behind Manny Gammage’s Texas Hatters Inc.

A conversation with the family behind Manny Gammage’s Texas Hatters Inc.

‘I’ve seen wills being written up about hats. Once I saved a family from not talking to each other, because two grandsons were fighting and both thought they had right to the hat. They didn’t want the money or the land, because the hat was a status symbol of an elder. They asked me to make another one just like it. I made an exact copy, but then they got shuffled and I couldn’t tell which one was real. They both came and both offered money to me to let them know what the real hat was, but I honestly couldn’t tell them. They both have his hat over the mantelpiece.’

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Mothers in Fashionable Society

Mothers in Fashionable Society

There’s a conventional belief that it’s horrible to grow old, because old age is ugly. As a result, a woman has her white hairs plucked, or dyes them; she uses makeup to hide her wrinkles, or at least, tries to add some luster to her faded cheeks with the deceptive glitter of bright fabrics. I don’t want to make a long catalogue of cosmetic artifices, so I’ll stop there. But note that instead of banishing the signs of old age, such devices merely make them more lasting and more glaring.

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Becoming A Lady In the World

Becoming A Lady In the World

On Three Generations of Quinceañera Dresses

A conversation with three generations of quinceañera

The young quinceañera is seemingly always in a ball gown. She is in pink, green, blue or other pastel colour, festooned and bejewelled, and with a large skirt that sways in a way that affirms the hooped crinoline underneath. She is beautiful and brimming with excitement for her impending journey into womanhood. Her mother typically accompanies her, helping her with her dress and fixing her hair just so as the photographer captures the moment in front of a city’s landmarks.

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The Hat

The Hat

There is today no stronger argument against the claim of Humanness in women, of Human Dignity and Human Rights, than this visible and all-too-convincing evidence of sub-human foolishness.

In one case the crown was lifted and swollen till it resembled the loathsome puffed-out body of an octopus; and this distorted bladder-like object was set on an irregular fireman’s brim – to be worn side-ways.

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The Whistleblower’s New Clothes

The Whistleblower’s New Clothes

On Politics As Personal Brand

Christopher Wylie had an outfit. His whistle was directed not at a government, but its nebulous digital equivalent; perhaps it took someone steeped in the intricacies of personal branding to jam up the algorithms that governed it. Or was this persona too crisp, a meme more than a movement’s spark? Most whistleblowers dress to deflect attention. Daniel Ellsberg, the military intelligence contractor whose leak of the Pentagon Papers helped end the Vietnam War, rubbed elbows with flower children in a suit and tie.

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On Fashion

On Fashion

Never, perhaps, have women been better coiffed: hair is waved, frizzed, braided, raised up into wings, brushed back and twisted into ropes … all with truly astounding art. The Parisian comb is the equal of the Greek chisel, and hair submits with greater docility than the marble of Paros or Mount Pentelikon. Would an Athenian sculptor or a Renaissance painter be able to arrange the hair with more grace, ingenuity or style? We think not.

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