IS DIGITAL AUTHENTICITY POSSIBLE?

IS DIGITAL AUTHENTICITY POSSIBLE?

If you search ‘Armani jacket,’ you get one million versions of the same thing, with slight adjustments: golden buttons or silver buttons, big sleeves or short sleeves – all these modifications. And there’s a little bit of creativity put into every version of it. There is something strangely appealing about it. I think about our place as designers within an ocean of images and garments, a kind of melting pot. Originality is about figuring out how to use those components and play with them.

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Words Are The Dress Of Thoughts

Words Are The Dress Of Thoughts

Advice on Becoming a Man of the World and a Gentleman

A man of sense carefully avoids any particular character in his dress; he is accurately clean for his own sake; but all the rest is for other people’s. He dresses as well, and in the same manner, as the people of sense and fashion of the place where he is. If he dresses better, as he thinks, that is, more than they, he is a fop; if he dresses worse, he is unpardonably negligent. Dress yourself fine, where others are fine; and plain where others are plain; but take care always that your clothes are well made, and fit you, for otherwise they will give you a very awkward air.

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Draping the Feminist Revolution

Draping the Feminist Revolution

On Rosa Genoni's Tanagra Dress

In the last few years, the word ‘feminism’ has gained a new currency in the fashion industry. Emblematically written on a white T-shirt, the phrase sounds like a manifesto, yet it arguably fails to dialogue with the long history of feminism, the women’s liberation movement, and their intersections with the history of fashion. For Rosa Genoni, her work in fashion; her ideological commitment to the workers’ and women’s struggle; and her all out opposition to war and fascism were all overlapping and intersecting activities.

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What The Well-Dressed Dyke Will Wear

What The Well-Dressed Dyke Will Wear

History of Lesbian Clothes: Amazons

It is incredible the way our heritage is denied us. I never studied about Amazons in school. Information isn’t readily available, and what is available is mystified, obscured and held by men who don’t want to part with their precious knowledge. Information Imperialism! We should have learned about our Amazon foremothers before we learned about George Washington. Every book that mentions Amazons says they were a mythological race of women. Men cannot stand the idea that women preferred to live without them. 

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BETWEEN THE SELF AND THE WORLD

BETWEEN THE SELF AND THE WORLD

On the Sari's Potential for Reinvention

The sari challenges Western notions of innovation, for the diverse range of possibilities for draping a seemingly simple, standard swath of fabric. It’s a supremely engineered garment, and a marvel of design, for the sheer fact that it affects countless, workable iterations. For centuries, dozens of drapes have allowed women to engage in various types of labour and in other activities: farming; fishing; house- and office-work; childrearing; sleeping. The practical need for a well-designed garment that moves with the wearer is of the utmost importance, and its utility, convenience and adaptability, combined with a sari’s gracefulness, are precisely how the garment will take on new iterations.

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The Ladies’ Paradise

The Ladies’ Paradise

She had been stealing like this for the last year, ravaged by a furious, irresistible passion for dress. These fits got worse, growing daily, sweeping away all the reasonings of prudence; and the enjoyment she felt in the indulgence of them was the more violent from the fact that she was risking before the eyes of a crowd her name, her pride, and her husband’s high position. Now that the latter allowed her to empty his drawers, she stole although she had her pockets full of money, she stole for the mere pleasure of stealing, goaded on by desire, urged on by the species of kleptomania which her unsatisfied luxurious tastes had formerly developed in her at sight of the vast brutal temptations of the big shops.

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Leaving Home, Part Three

Leaving Home, Part Three

A Conversation With Mohammad Saeed

Clothes are very important because people always look at what you wear. They don’t think about who you are, they only think about what you wear. I don’t like it, but I accept it. When I dress up, to go to a restaurant or to work, people look at me well, but if I’ve just woken up and haven’t made an effort they will judge me. They look at me like I’m bad. I don’t really like my clothes now, but I have to wear what I have because I’m living in a camp. I have clothes in Syria, in Turkey, in Greece, everywhere. The only clothes I miss are the clothes I was wearing when the bomb struck and I was hurt. I asked my mum to save them, and she did. One day I will come back for them.

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