I did a fashion show recently called ‘Nothing New.’ It was based on criticism I got from another designer. So I took that statement and tried to unravel it and make it into a question. Does fashion have to be new? What is new anyway? Does fashion have to be new to be valid and relevant and important? People often lob ‘it’s been done before’ as a critique but without asking themselves those questions. ‘Newness’ has become the barometer by which we judge things in fashion. Does your jacket have three armholes? ‘New’ is a farce to me. It’s a critique intended to keep people like me out.
When you order a silicone sex doll online, a giant, coffin-like box arrives. Inside, a headless doll lays naked, skin gleaming and perky breasts pointing upward. Her head is likely to be wrapped up in styrofoam, cushioned gently in between her knees. To the average person she appears corpse-like, an immobile piece of human-like plastic teetering just beyond the uncanny valley. But to iDollators, doll owners with an imagination, she’s a blank canvas for a fantasy world.
Flagging is a way of communicating basic information without needing to speak. Bandanas are soft introductions. They are self-labelling devices, material imbued with meaning, intended to provide enough information for cruising parties to determine the likelihood of an erotic match. In many cases, they provide a way of making an initial connection. Like any system of underground communication, it is community specific, and does not travel well. Where do you wear them and what does that mean? Subcultural meaning stays local.
Twelve economy size cans of Aqua Net or White Rain hairspray and a book of matches from Chasen’s. Not only will the hairspray keep your big drag queen hair safe from falling debris, but it will also double as a lethal weapon when teamed with a lit match, and you may very well need to fend off kinky, horny husbands who can’t find their wives in the rubble.
The gallery owner was pushing through the crowd towards Drioli. He was calm now, deadly serious, making a smile with his mouth. ‘Monsieur,’ he said, ‘I will buy it. I said I will buy it. Monsieur.’ ‘How can you buy it?’ Drioli asked softly. All the sadness in the world was in his voice. ‘Yes!’ they were saying in the crowd. ‘How can he sell it? It is part of himself!’
A Conversation with Miuccia Prada
‘Censorship is huge now. Basically you can’t say anything interesting on the record. I did an interview with a very important journalist some time ago, but then I told him to cancel eighty percent of what I’d said. I know that makes me the censor but I don’t want to ruin my life over an interview. I have responsibilities. It’s hard because whatever I do, someone ends up being upset. A company our size has to think about everything. I made the choice not to be niche, only for the sophisticated few, so I have to accept the limitations of that choice.’
In the new millennium, fashion can no longer be credibly characterised as a mere hobby for aristocratic women with little else to do; fashion is now a multi-billion-dollar industry with countless stakeholders. But even where the economic stakes in fashion-related cases are too great for a court to simply ‘opt out,’ as many of the above-mentioned judges did, federal judges presiding over such cases still make their distaste for the subject matter clear (even, and maybe especially, female judges).