WHY BEING A DEMOCRAT IS ALWAYS FASHIONABLE

WHY BEING A DEMOCRAT IS ALWAYS FASHIONABLE

Dressing in US Election Times

Before there was Clinton swag, there was Obama swag. Before there was Obama swag, there was Kerry swag. Whom are these items trying to convince? Do we purchase a Hillary Clinton T-shirt to show solidarity, or to build our personal brands? Do designers create them because they will change hearts and minds – or to reassure themselves that their industry has a role to play in their nation’s critical decisions?

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Band of Insiders

Band of Insiders

On the Secret of Success

If fashion ‘wants to kill’ its practitioners, that’s because it epitomises capitalist innovation at its bare essence, consisting of the sort of change that is only for the sake of the system’s survival. Fashion is what is left when all pretence to consumer utility or social improvement is stripped away. The sacrifice of perfectly useful goods to the ever-shifting demands of fashion is a kind of corrective purge, an obliteration of what the philosopher and writer Georges Bataille called ‘the accursed share,’ clearing the field so that capitalism’s competitive mechanisms and requirements for endless growth can continue to function.

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Lost on Dress Parade

Lost on Dress Parade

Up Broadway Chandler moved with the vespertine dress parade. For this evening he was an exhibit as well as a gazer. For the next sixty-nine evenings he would be dining in cheviot and worsted at dubious table d’hôtes, at whirlwind lunch counters, on sandwiches and beer in his hall-bedroom. He was willing to do that, for he was a true son of the great city of razzle-dazzle, and to him one evening in the limelight made up for many dark ones.

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Coming of Age

Coming of Age

Representing the older generation: a model’s perspective

The classic model is a known prototype in the modeling industry, underpinned by a discourse of enduring youthfulness, a woman whose image embodies an ageless beauty, rather than an ageing reality. These classic models appear in high fashion representing an aspirational agelessness; they are called upon to fill stereotypical roles for older women. This creates an impossible standard, one out of reach without external interventions, such as cosmetic surgery, which plays on insecurities of looking old to sell to the older market.

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A Conversation with Kenneth Anger

A Conversation with Kenneth Anger

On the evil forces of cinema

Few directors have been as prolific in their lifetime as Kenneth Anger. Blending surrealism and the occult with homoeroticism, psychodrama and unashamed spectacle you could perhaps say that Anger’s whole vocation has been an ode to the art of magic. An early follower of Aleister Crowley’s teachings, Anger at various stages in his life mixed with occult practitioners and artists as diverse as Jean Cocteau, Anaïs Nin, Anton LaVey, Mick Jagger and Jack Parsons, and his life is as shrouded in myth and legend as his work is.

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The Antihero’s New Clothes

The Antihero’s New Clothes

Fashion and queer bonding in Will & Grace

Set in a white, upper middle-class environment in New York City, the series follows the life of best friends Will Truman and Grace Adler, a gay lawyer and a straight, Jewish interior designer, and their friends Jack McFarland and Karen Walker, a flamboyant failed actor and a socialite with a penchant for drinks and pills who works as Grace’s assistant to escape her motherly duties. As expected, fashion is central to the characters.

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