Why does Alexander Liberman still matter sixteen years after his death? For anyone under thirty and not in the magazine business the name will likely mean little, certainly not loom large as the grand master who instilled both awe and fear and sometimes both.
This month sees the second instalment of former French Vogue editor Carine Roitfeld’s new biannual publication, CR Fashion Book. But what exactly is a ‘fashion book’? It’s a slightly heavy-handed concept, but one designed, it seems, to disassociate Roitfeld’s venture from the mere realm of the mass-produced, market-dictated, fashion magazine, exemplified by ex-employer Condé Nast’s multi-national, industry-defining platform.