In modern hats and dresses the details always have a point – to bring out the color of the eyes, to create the illusion of a bosom, to lengthen, to shorten, to call attention to the waist, to annihilate the hips, etc. The details of old Chinese clothes, however, were astonishingly pointless. They were purely decorative, and sometimes rather obscurely so. No artist could, for instance, have hoped for anyone to notice his intricate designs on the soles of women’s shoes, except indirectly by the imprints left in the dust.
That aural impairment is as old as hearing itself is evidenced by a Neolithic female skull unearthed by archaeologists in 1955. By itself, the skull would not be especially remarkable were it not for a prosthetic seashell ‘ear’ surgically implanted, and still seamlessly intact. Its purpose was not purely ornamental: the shell served as a functional conduit for vibration. This is implant and earring, ornament and augmentation: not yet bionic, but somehow presciently cyborg in its arrangement.