Christopher Wylie had an outfit. His whistle was directed not at a government, but its nebulous digital equivalent; perhaps it took someone steeped in the intricacies of personal branding to jam up the algorithms that governed it. Or was this persona too crisp, a meme more than a movement’s spark? Most whistleblowers dress to deflect attention. Daniel Ellsberg, the military intelligence contractor whose leak of the Pentagon Papers helped end the Vietnam War, rubbed elbows with flower children in a suit and tie.
Carlo is concerned about his looks; it’s important to him how his ‘outer shell’ – his coat – appears. Decent clothes make it easier to earn money, easier to approach people on a more or less equal level. But the coat also comes with a second purpose: it’s the smallest possible of homes, a sleeping bag and a comforter. ‘Since childhood we’re used to feeling something on top of us when we’re sleeping, something heavy,’ he says. ‘Turning a coat into a duvet is better than wearing it, somehow. It feels more secure and warm.’