We practice what we call ‘security with a velvet touch.’ We stay in the shadows. The PRs check people in, and most of them don’t know what they’re doing but that’s another story. Anyway, we stand behind the PR people. If we see them lingering with an individual, we might catch the individual trying read the guest list. People do that you know – they can read upside down. If we see that one of these PR persons is taking more than a minute or two with someone, then there’s usually a problem. Basically, we play the bad cop. But we always try to give people a gracious way out, like, ‘Sorry you’re not on the list, obviously there was an issue with your invitation, maybe you didn’t RSVP in time?’ You never say, ‘Oh get outta here,’ even though you want to. But you can’t, because like I said they cry very easily and you never know who they know.
Irene is one of the fashion industry’s many éminence grises. In the late 1980s she became the fashion editor of Vogue Paris where she pioneered the work of photographers like Peter Lindbergh, Steven Meisel, Bruce Weber and Paolo Roversi, at the time all young and looking for a break.