Theatre of Fashion

Self-Fashioning as Resistance

Self-Fashioning as Resistance

The Becoming of a Third Gender in Edo Japan

The wakashu, traditionally played by teenage boys, represented a specific subculture within Edo Japan. Wakashu are described by kabuki scholar Imao Tetsuya as ‘floating between the polarities of male and female, synthesising the principle of both sexes.’ The wakashu, etymologically resisting gender identification, is translated into English most closely as ‘youth,’ constituting what many scholars consider a ‘third gender.’ By rejecting the imposed male identity, wakashu represented the possibility of an existence outside of Edo society along with the prospect of future transformation for Edo culture.