There were twelve mannequins at Jeanne Veron’s: six of them were lunching, the others still paraded, goddess-like, till their turn came for rest and refreshment. Each of the twelve was a distinct and separate type: each of the twelve knew her type and kept to it, practising rigidly in clothing, manner, voice and conversation.
Yohji Yamamoto’s autobiography, ‘My Dear Bomb’ (2010) creates a complex conceptual persona of a designer, that of the ‘insider/outsider.’ A composite autobiography; the text of ‘My Dear Bomb’ is a collection of multiple voices, writing styles and visuals. The designer’s own poetic writing dominates the text of the book, but is punctuated with other ephemera: recorded conversations with writer Ai Matsuda, lyrics to songs by Yamamoto, as well as short contributions and letters from friends and critics.
In the fiercely transient world of fashion media, emerges a pack of fashion’s most distinguishable characters. The personal style of editors, journalists and directors is in constant public attention, highlighting the weight of appearance is this context.