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On Magic

A Conversation with Kenneth Anger

A Conversation with Kenneth Anger

On the evil forces of cinema

Few directors have been as prolific in their lifetime as Kenneth Anger. Blending surrealism and the occult with homoeroticism, psychodrama and unashamed spectacle you could perhaps say that Anger’s whole vocation has been an ode to the art of magic. An early follower of Aleister Crowley’s teachings, Anger at various stages in his life mixed with occult practitioners and artists as diverse as Jean Cocteau, Anaïs Nin, Anton LaVey, Mick Jagger and Jack Parsons, and his life is as shrouded in myth and legend as his work is.

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The Stain or La Dame qui s’est Trompée d’Époque

The Stain or La Dame qui s’est Trompée d’Époque

On the Disfiguring Marks of History

It’s February 18 1960. Jean Cocteau has just released his film The Testament Of Orpheus. Mme Francine Weisweiller is in it, just a small part, but important nevertheless. Mme is not an actress but the aging poet’s best friend and she plays ‘la dame qui s’est trompée d’époque’ or, in translation, and I fear less smoothly, the woman who found herself in the wrong decade. Janine Janet, the creator of Cristóbal Balenciaga’s surreal window displays, is the costume designer, but Mme wears a trailing white dress by Balenciaga himself, which she paid for. Instructed by Cocteau to take his inspiration from Claude Monet and Sarah Bernhardt, Balenciaga produces exactly what suits Mme best and into the bargain doesn’t sully his reputation. Cocteau describes Mme’s appearance as a ‘live phantom of flesh and bone’.

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The Heart is a Lonely Hunter

The Heart is a Lonely Hunter

Excerpt from Carson McCullers' debut novel

The dress she would wear was laying out on the bed. Hazel and Etta had both been good about lending her their best clothes – considering that they weren’t supposed to come to the party. There was Etta’s long blue crêpe de chine evening dress and some white pumps and a rhinestone tiara for her hair. These clothes were really gorgeous. It was hard to imagine how she would look in them.

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