My mother died a couple years ago at one hundred and four, and she had macular degeneration. But she could see in her periphery and she could always see me. We’d go walking together. She loved me being green. I’ve had a long life and have been through a lot and have my design studio and this and that. But when people see me they just see the Green Lady. That’s fine.
When the burkini appeared in the news a decade ago, it carried with it a dense web of historical associations, political connotations and moral valences. The histories of the bikini and the burka – including the ways that each garment has been framed as the other’s antithesis – played an important role in shaping how the burkini was represented and interpreted in the new century. In Europe and the Anglophone World, modest swimsuits and the figure of the burkini-clad women were appropriated as catalysts for contemporary debates about the possibilities and limits of cultural pluralism in an era of economic globalisation, mass migrations, war and terrorism and ethnic nationalist movements.