Petrovich worked at the cloak two whole weeks, for there was a great deal of quilting: otherwise it would have been finished sooner. He charged twelve rubles for the job, it could not possibly have been done for less. It was all sewed with silk, in small, double seams; and Petrovitch went over each seam afterwards with his own teeth, stamping in various patterns.
This month sees the second instalment of former French Vogue editor Carine Roitfeld’s new biannual publication, CR Fashion Book. But what exactly is a ‘fashion book’? It’s a slightly heavy-handed concept, but one designed, it seems, to disassociate Roitfeld’s venture from the mere realm of the mass-produced, market-dictated, fashion magazine, exemplified by ex-employer Condé Nast’s multi-national, industry-defining platform.