Picasso has not yet been honoured with a retrospective on his personal aesthetic, nor has the one-time Comme des Garçons model, Jean-Michel Basquiat. The Brooklyn Museum did though, have one on Georgia O’Keeffe, ‘Georgia O’Keeffe: Living Modern.’ Women’s work is still viewed through a different lens than men’s; their lives are more closely associated with their art, and their art is oft-seen as inherently more personal than their male counterparts.
That aural impairment is as old as hearing itself is evidenced by a Neolithic female skull unearthed by archaeologists in 1955. By itself, the skull would not be especially remarkable were it not for a prosthetic seashell ‘ear’ surgically implanted, and still seamlessly intact. Its purpose was not purely ornamental: the shell served as a functional conduit for vibration. This is implant and earring, ornament and augmentation: not yet bionic, but somehow presciently cyborg in its arrangement.