Yohji Yamamoto’s autobiography, ‘My Dear Bomb’ (2010) creates a complex conceptual persona of a designer, that of the ‘insider/outsider.’ A composite autobiography; the text of ‘My Dear Bomb’ is a collection of multiple voices, writing styles and visuals. The designer’s own poetic writing dominates the text of the book, but is punctuated with other ephemera: recorded conversations with writer Ai Matsuda, lyrics to songs by Yamamoto, as well as short contributions and letters from friends and critics.
In many ways Susan Cianciolo’s work evades a formal category. For the most part she is a designer, but also maker, artist, director, among other roles that allow her to create her exhibitions and performances.
Separating the art and fashion worlds from each has become increasingly difficult in contemporary culture: fashion, which has long been a borrower of imagery from art, is also used as material for artists to critique the commercial and social values it represents. With fashion being the thriving image marketplace that it is, there is always an abundance in appropriated or re-contextualised images.