Given its infancy in the world of academia, fashion studies still shows signs of a discipline in the making, measuring and comparing itself against the long tradition of critical thinking in subjects such as art and architecture. With this in mind, we can in fashion theory often find a reliance on certain key figures. One such figure is Roland Barthes, whose name reverberates throughout the field.
That fashion is constantly on the move, shifting and changing as soon as we think we have a firm grasp on what it is telling us, is nothing new. But rather than being a pointless sign of debauched times, as its critics would have it, we could argue that the role of fashion is instead to hold a mirror up to our culture.