Most pockets were originally created to hold a specific item; a timepiece, a shot bird. To use the pocket on many garments forces an unbecoming bulge onto an otherwise flat silhouette, yet pockets were created to hold, to be filled. Historically, fashion has often demanded a sleeker figure, forcing our pockets into a sometime-disuse. Yet, if we have a pocket – and we always have a pocket – chances are we will be compelled to fill it.
Veronica Martin’s ‘Gold Collar’ is about things. The things on our bodies and in our spaces and the intimate distance they have in our lives. Accompanied by Alicia Meseguer’s fragments of found images, another reality – corporeal, spacial, tenebrous – is put forward.
A delicate and illustrative poem by Veronica Martin, exploring the fictive potential for fashion in literature, accompanied by images by Poppy Skelley, in a collaborative response to the prose.