A quick Google search on ‘socialite’ will inevitably come up with any number of recognisable faces from twenty-first century celebrity culture. Touted by gossip magazines and tabloids like The Daily Mail, Hello and Who, the term is rarely used with flattering connotations. Paris Hilton, Nicole Richie, Tara Reid, Blake Lively and Kim Kardashian, among many other women, are just some of the wayward celebrities that nowadays are deemed as ‘socialites’.
In the fiercely transient world of fashion media, emerges a pack of fashion’s most distinguishable characters. The personal style of editors, journalists and directors is in constant public attention, highlighting the weight of appearance is this context.
Separating the art and fashion worlds from each has become increasingly difficult in contemporary culture: fashion, which has long been a borrower of imagery from art, is also used as material for artists to critique the commercial and social values it represents. With fashion being the thriving image marketplace that it is, there is always an abundance in appropriated or re-contextualised images.