Recently, the trend on Sean Cody is flat-fronted shorts and soft, monochrome shirts. The clothes match the sets, which are full of sand, taupe and gray in what a friend of mine refers to as the ‘Starbucks regency’ look – bulky, plain furniture you’d find in your local coffee shop. Far from the scuzzy, sweaty-jockstrap, sling-in-a-basement aesthetic of much gay porn, Sean Cody’s look is more timeshare promotion video. Dean ejaculates on a gunmetal grey rug with a white, interlocking diamond pattern, possibly from West Elm or CB2.
Austrian-American designer Rudi Gernreich is best known for his topless bathing suit, or the ‘monokini’ as it was dubbed, embodied by Peggy Moffitt. However the designer’s influence was more profound: from his involvement in the early strands of America’s gay rights movement, to his bold and often controversial statements he made as a designer that questioned the role of fashion in culture.
Since 1967, filmmaker Frederick Wiseman has produced an enormously influential and insightful series of documentaries. Over the course of some forty films, he has taken viewers inside an insane asylum (‘Titicut Follies’), uncovered the workings of the welfare system (‘Welfare’), witnessed terminal patients on a hospital ward (‘Near Death’) and victims of spouse abuse (‘Domestic Violence’).