Vestoj Editors

The Philosophy of Andy Warhol (From A to B and Back Again)

The Philosophy of Andy Warhol (From A to B and Back Again)

Excerpt from Chapter 15: Underwear Power

Buying is much more American than thinking and I’m as American as they come. In Europe and the Orient people like to trade – buy and sell, sell and buy – they’re basically merchants. Americans are not so interested in selling – in fact, they’d rather throw out than sell. What they really like to do is buy – people, money, countries.

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Tender Buttons

Tender Buttons

Excerpt from Gertrude Stein's Tender Buttons, from 1914

What is the current that makes machinery, that makes it crackle, what is the current that presents a long line and a necessary waist. What is this current.
What is the wind, what is it.
Where is the serene length, it is there and a dark place is not a dark place, only a white and red are black, only a yellow and green are blue, a pink is scarlet, a bow is every color. A line distinguishes it. A line just distinguishes it.

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The New Dress

The New Dress

Excerpt from Virginia Woolf's 1927 short story

But she dared not look in the glass. She could not face the whole horror – the pale yellow, idiotically old-fashioned silk dress with its long skirt and its high sleeves and its waist and all the things that looked so charming in the fashion book, but not on her, not among all these ordinary people. She felt like a dressmaker’s dummy standing there, for young people to stick pins into.

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William Morris on Textile Fabrics

William Morris on Textile Fabrics

In his lecture to the International Health Exhibition at the South Kensington Museum, London in 1884, William Morris gives a detailed history on textiles – weaving, tapestry and dyeing – and the textile industry. His talk traces the lineage of textile craft, spanning Classical Greek decoration, Byzantine ornament, Medieval textiles, Italian silk of the fourteenth century, to Morris’ contemporary time. Morris, a textile designer himself, as well as a poet and essayist, was prominent spokesperson of the arts and crafts movement which occurred in the United Kingdom and spread to Europe and North America from 1880 to 1910.

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Bernice Bobs Her Hair

Bernice Bobs Her Hair

Excerpt from F. Scott Fitzgerald's 1922 short story

Bending over she found one of the braids of Marjorie’s hair, followed it up with her hand to the point nearest the head, and then holding it a little slack so that the sleeper would feel no pull, she reached down with the shears and severed it. With the pigtail in her hand she held her breath. Marjorie had muttered something in her sleep. Bernice deftly amputated the other braid, paused for an instant, and then flitted swiftly and silently back to her own room.

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Regrets for my Old Dressing Gown

Regrets for my Old Dressing Gown

A warning to those who have more taste than fortune

Why didn’t I keep it? It was used to me and I was used to it. It molded all the folds of my body without inhibiting it; I was picturesque and handsome. The other one is stiff, and starchy, makes me look stodgy. There was no need to which its kindness didn’t loan itself, for indigence is almost always officious. If a book was covered in dust, one of its panels was there to wipe it off. If thickened ink refused to flow in my quill, it presented its flank. Traced in long black lines, one could see the services it had rendered me. These long lines announce the litterateur, the writer, the man who works. I now have the air of a rich good for nothing. No one knows who I am.

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The Vestoj Salon On Slowness

The Vestoj Salon On Slowness

In our time of ceaseless busyness and constant fear of falling behind, slowness has turned into a subversive act, an exercise in cultural disobedience. Quiet dissenters can be found everywhere, if only you look hard enough. In a world where the cult of speed sometimes feels overwhelming, could it be that in the cracks of the system, a slower, more reflective pace is gaining traction?

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