Vestoj Editors

Sartor Resartus

Sartor Resartus

The Life and Opinions of Herr Teufelsdrockh

The Hat still carries the physiognomy of its Head: but the vanity and the stupidity, and goose-speech which was the sign of these two, are gone. The Coat-arm is stretched out, but not to strike; the Breeches, in modest simplicity, depend at ease, and now at last have a graceful flow; the Waistcoat hides no evil passion, no riotous desire; hunger or thirst now dwells not in it.

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The Grapes of Wrath

The Grapes of Wrath

Excerpt from the novel by John Steinbeck

The man’s clothes were new – all of them, cheap and new. His gray cap was so new that the visor was still stiff and the button still on, not shapeless and bulged as it would be when it had served for a while all the various purposes of a cap – carrying sack, towel, handkerchief. His suit was of cheap gray hardcloth and so new that there were creases in the trousers.

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The Philosophy of Andy Warhol (From A to B and Back Again)

The Philosophy of Andy Warhol (From A to B and Back Again)

Excerpt from Chapter 15: Underwear Power

Buying is much more American than thinking and I’m as American as they come. In Europe and the Orient people like to trade – buy and sell, sell and buy – they’re basically merchants. Americans are not so interested in selling – in fact, they’d rather throw out than sell. What they really like to do is buy – people, money, countries.

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Tender Buttons

Tender Buttons

Excerpt from Gertrude Stein's Tender Buttons, from 1914

What is the current that makes machinery, that makes it crackle, what is the current that presents a long line and a necessary waist. What is this current.
What is the wind, what is it.
Where is the serene length, it is there and a dark place is not a dark place, only a white and red are black, only a yellow and green are blue, a pink is scarlet, a bow is every color. A line distinguishes it. A line just distinguishes it.

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The New Dress

The New Dress

Excerpt from Virginia Woolf's 1927 short story

But she dared not look in the glass. She could not face the whole horror – the pale yellow, idiotically old-fashioned silk dress with its long skirt and its high sleeves and its waist and all the things that looked so charming in the fashion book, but not on her, not among all these ordinary people. She felt like a dressmaker’s dummy standing there, for young people to stick pins into.

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William Morris on Textile Fabrics

William Morris on Textile Fabrics

In his lecture to the International Health Exhibition at the South Kensington Museum, London in 1884, William Morris gives a detailed history on textiles – weaving, tapestry and dyeing – and the textile industry. His talk traces the lineage of textile craft, spanning Classical Greek decoration, Byzantine ornament, Medieval textiles, Italian silk of the fourteenth century, to Morris’ contemporary time. Morris, a textile designer himself, as well as a poet and essayist, was prominent spokesperson of the arts and crafts movement which occurred in the United Kingdom and spread to Europe and North America from 1880 to 1910.

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